Music has accompanied man since prehistoric times. The joy of prey, a successful hunt, the challenge of rain accompanied ritual sounds (a skull filled with dry berries or a gong prototype could be used as a musical instrument), such was primitive music.
Thousands of years passed, musical instruments underwent significant changes, folk music (folklore) developed, words were added to it, many works survived to our days, passed down from generation to generation. Music is eternal, and the development of mankind without it is unthinkable. Continue reading
Synesthesia (simultaneous sensation, joint feeling) – in psychology – the phenomenon of perception, when during stimulation of one sense organ (due to irradiation of arousal from the nervous structures of one sensory system to another), along with sensations specific to it, corresponding sensations also arise.
When considering this topic, the desire to link the problem of “musical graphics”, that is, sketching impressions from music perception in colorful objects and non-objective forms, with the laws of perception, and even more precisely with the theory of synesthesia, is characteristic. Continue reading
Ensemble (from fr. Ensemble – together, many) – means the joint performance of a piece of music by several participants or a piece of music for a small number of performers; A favorite type of music since ancient times. In accordance with the number of performers (from two to ten), the ensemble is called a duet, trio (tertset), quartet, quintet, sextet, septet, octet, nonet or decimet – by the Latin name of the numbers. As independent works, ensembles belong to the field of chamber music, but also belong to operas, oratorios and cantatas. VIA (vocal – instrumental ensembles) were common in Russia in the seventies. Continue reading