Sw in dance music
Somehow I thought about one thing: sometimes one bass, a drummer and a pair of cymbals are enough to make people like to twitch from this primitiveness! Why it happens?…

Continue reading →

Publication of works on the Internet
The Internet is an environment in which it is possible to publish large editions, while at the same time making a minimum of costs. You do not need to pay…

Continue reading →

Which track is better
In her famous quotation, the great Coco Chanel wanted to say that there are hobbies that capture the minds of society with a wave, but then quickly disappear. And there…

Continue reading →

Ritchie Blackmore

Richard Hugh Blackmore was born on April 14, 1945 in the English town of Weston-Super-Mare. The first instrument – an ordinary acoustic guitar – was presented to Ritchie at the age of ten by his father, and it was his father who insisted that Ritchie not only learned to strum on six strings, but also take classical guitar lessons. At that time, the Blackmore family was already living in the town of Heston, where, for the first time, in the house of her grandmother, Ritchie heard the powerful music of JS Bach, which had sunk into the soul of the future guitar virtuoso.

The parents provided their son with a “high start”: already at the age of 13, Ritchie began intensive studies of the instrument under the strict guidance of the best at the time British guitarist Jim Sullivan. But by this time Ritchie already had experience in certain compositions that performed a skiffle superpopular on the British Isles at the purely amateur level – the first Blackmore band in which he began performing as early as 1956 was the humorous name Dogbox (“Kennel”). Similar line-ups of 21’s Coffee Bar Junior Skiffle Group, The Dominators and The Condors followed.

At the very beginning of 1962, Ritchie was unusually lucky: not anyone, but the gloomy hero of overseas rock’n’roll Gene Vincent invited a young guitarist to accompany his line-up (the old rock-and-rolls still prefer to recruit on the territory of future tours ), with which began the real career of Ritchie Blackmore. After the European tour and an instant stop in the Mike Dee And The Jaywalkers group, Ritchie found himself in May of 1962 as part of the group of one of the most bizarre British pop figures of the 60s David Satch Screaming Lord Sutch & His Savages. However, Ritchie soon became convinced that his employer was much more concerned about finding his name in the headlines of the British tabloids – David Satch owned his own pirate radio station, tried to run for House of Commons with some kind of “electoral platform of 18-year-olds” and long before Alice Cooper arranged concerts with stage coffin in the form of coffins and guillotines.

The musical side of the work of the first “king of horrors” rock scene instantly ceased to satisfy Blackmore, and after a few months he was in the ranks of the fundamentally instrumental composition “The Outlaws”, who also worked as his own studio group at the well-known producer Joe Mick. As part of The Outlaws, Ritchie managed to record the acclaimed singles “Keep A-Knockin ‘” and “Snake With Me”, as well as work with such popular at the time British singers as Mike Berry and Heinz, and even for a short time he was in the group the last is Hainz ‘Wild Boys.

In the same 1964, Ritchie recorded his first solo single with the songs “Little Brown Jug” and “Getaway”, and soon he joined the band Neil Christian The Crusaders. The next three years became for the guitarist a real carousel: in addition to The Crusaders, from which Ritchie left, he returned, he had plenty to play with The Lancasters (where he performed Edward Grieg’s “In the Cave of the Mountain King” for the first time in his life) The Savages, this time working as an accompanying member of the European tour of Jerry Lee Lewis, in the theatrical rock group Roman Empire and in the semi-mythical lineup Mandrake Root, which collapsed in October.

Deep Purple began with the former drummer of The Searchers, Chris Curtis, in 1966, but this story requires a separate discussion.

About vinyl
There are not so many good stories with a happy ending in our life. One of them is the history of gramophone records, or "vinyl". It is fundamentally wrong to…

...

Timbre, beauty and harmonious voice
Today I would like to touch on the issue of timbre, beauty and melodiousness of our voice. It is often said that a woman loves with ears, and a man…

...

Musician: record disc
Suppose you already have your own band with a permanent musical composition and you have few simple rehearsals and performances in small clubs. Your goal is to record an album.…

...

Ensemble
Ensemble (from fr. Ensemble - together, many) - means the joint performance of a piece of music by several participants or a piece of music for a small number of…

...